Twenty four vintage alarm clocks depicting all the hours in a day.
This painting has already sold, but there are affordable prints available. The folks at the Elliott Fouts Gallery will answer any questions you have and they ship worldwide.
For years — and I mean years — I have talked about my paintings being about the narrative of the vintage objects I paint.
I’m not so sure that’s it. Or at least, that’s not all they are about. I see the paintings really being about three things. 1) Technique 2) Minimalism 3) Subject
The technique I use, the slow layering of paint, the close attention to detail, it’s such a huge part of the work. I spend a great deal of time looking at realist painting, historic painting and new paintings being made right now. What I see in the technique is a connection to hundreds of years of art making, a connection to hundreds of years of artists.
My compositions are all straight forward and simple. They are minimalist. A philosophy that I strive to apply in all parts of life. When I’m not looking up art on the web, I’m looking up blogs and books about minimalism. In painting, I can quit literally design compositions that depict minimalist philosophy.
And right on top of that minimal composition, the subject sits with its own ideas. Vintage alarm clocks, for example, are all about time. They also have colours and shapes — numerous circles and ellipses, the hands pointing in all directions.