Over at my print shop there is 20% off until the end of November. Check it out → here. If you look close you might even see some note cards in very limited availability.
For the third year in a row ITOYA has issued a calendar featuring a dozen of my paintings. The calendar is made exclusively for the Japanese market, and ITOYA is in charge of all the sales.
The calendar is large, measuring at 23.5″ x 16.5″ and printed on sturdy, heavy weight paper, the images are big and colorful.
This past week I spent some time with some do-overs.
These two paintings are from a few years ago and although they don’t look too unusual for my work, they did before I repainted the backgrounds.
Before these pictures were taken, the backgrounds were what I call explosion blue. They were a vibrant, unnatural, unfamiliar, chemical blue.
They were complete and even hung in a gallery for some time, but I was happy to get them back to correct them. I was pleased with the balance and geometry of the compositions, but the blue was so peculiar to my eyes that I had a hard time looking at the paintings.
I removed the varnish and added some layers of a much more subtle and neutral tone — a white/grey with only the most subtle, barely perceptible hint of blue. Immediately it felt as though my own personality returned to the paintings.
I did the vibrant blue backgrounds on the suggestion from a friend who was giving some opinion on changes they thought would add some “pop” to my work. In a moment of weakness and confusion, I took their advice. It was as though my own signature was removed from my work.
The opportunity for the do-over has been very therapeutic.
Imagine if life were like a painting. Imagine if you could literally get a moment or an event back, remove the varnish and make your corrections.
I’m calling this one done. Finding the point of completion is always satisfying on a painting. This one is going to hang in my house for some time while I move on to the next stack of books to paint.
This painting is available as a 12 x 12 inch print. See it in my print shop → here.
There is a great preview in American Art Collector magazine for the October 2018 Souvenir group exhibition at the Robert Lange Studios in Charleston, South Carolina.
It’s always an honour when my work appears in slick publications along side so many artists that I admire.
I’m happy to announce that my painting, Brownie Hawkeye, will be part of the Robert Lange Studios October 2018 group exhibition in Charleston, South Carolina.
It’s an exhibition with a take-away. The collector also gets the actual camera.
The opening reception is this Friday, October 5.
Happy to share that I have some new paintings at the George Billis Gallery NYC in the Summer Group Show. The show is up from July 10 through August 4.
Everything Old – the shop where a great deal of my subjects come from – came by my studio for a chat about my work. They’ve always been really amazing supporters and take a keen interest in what I do. I have often talked to them about my paintings so it was nice to be able to sit down and talk to them.
An 18 x 36 inch composition of wonderfully aged Pelican Books – see the painting closer here.
These books cover a broad range of subjects – everything from art, architecture, history, philosophy, etc. Something for everyone. And even though these books come from the past, they’re still relevant.