Pleased to share that the George Billis Gallery LA is showing a few of my paintings at Art Palm Springs. The fair runs February 16 – 19, 2017.
This past summer I did an interview with the Bureau of Arts & Culture Magazine. A long interview. My process, my inspirations, all of it is discussed.
So if you really want to know the back story on how and why I do what I do, please take the time to read through.
Month to month, day to day, I spend all my time immersed in my paintings. Each painting takes such a great deal of effort and concentration that I often lose sight of the big picture, literally focussing on only small areas, both in life and the paintings.
Taking some time now to step back and look at 2016 I can see it was a very productive year for me. I count 44 paintings that I completed. That took me by surprise. I have been busy.
Over the past year I have had the good fortune of adding JJ Abrams, Bill Prady and others in the Hollywood area to the list of my collectors.
I have some big goals for 2017 that will keep me focussed in my studio. It’s good to have something to keep oneself occupied. Otherwise you might get distracted by fake news, drowning in social media, macho world leaders Tweeting about nuclear weapons, untimely celebrity deaths, etc., etc. I think I’ll just retreat to painting to see if I can find some joy in the world.
My resolution for 2017 is simple; I’ll remind myself to step back once in a while to see the big picture and gain some perspective. Read more
Several months ago I was approached by ITOYA in Japan and asked to collaborate on a 2017 calendar featuring my paintings. ITOYA operates stationary stores and cafés, the calendar is available exclusively in Japan.
It was a careful process to select the right images, and the designer did a great job. The calendar turned out much better than I anticipated. It is large and represents my paintings well. It is made with high end materials and in limited numbers.
It is printed on a heavy weight, sturdy paper in full color – but I am only sharing black and white sneak peeks here.
I had a great time in Los Angeles at the opening reception for my exhibition at the George Billis Gallery LA.
For the most part, being a painter is a solitary experience. One spends a great deal of time focussing and concentrating on making the paintings, then things turn completely and you find yourself sharing the finished pieces with everyone you possibly can. It can be a little jarring to go from solitude and privacy to a public, open space.
But I’m very happy with the way the paintings turned out. And I think the gallery did a great job of displaying the paintings.
The gallery is also showing a few sculptural pieces by John A. Peralta. These exploded camera and projector pieces are fascinating. I see it as a deconstruction / reconstruction way of looking at things. Viewing these exploded objects has the same effect as my paintings – they make the viewer slow down and really investigate the object.
John’s construction of these sculptures is absolutely meticulous. True craftsmanship.
Check out this ad for my exhibition in art ltd. magazine.
I’ve been working toward this exhibition of a dozen new paintings over the last several months. I’m very happy with the way each one turned out – you can see them here.
If you’re in the Los Angeles area, please do check it out. The paintings will be hanging at the George Billis Gallery LA from May 21 – June 25, 2016.
I will be at the artist’s reception on Saturday, May 21 from 5:00 – 8:00pm. Come say ‘hello’ if you can.
I am often asked if I have prints available. Yes I do — you can see them here.
I have several giclee prints available through the Elliott Fouts Gallery, you can check them out here. They are on canvas and come in a variety of sizes.
There are also new archival prints on paper through the George Billis Gallery in NYC. Those can be viewed here.
Art can seem like such an exclusive and elite interest and endeavor. It has this illusion of being inaccessible and something to strive for. I think prints are a way to break down barriers. If someone is interested in the image, likes what they see and wants to collect it, I think they should be able to. Prints make that possible. I want my work to be seen by everyone.
I get called “Scott” all the time. I think it’s the hard ‘C’ on my first name and the uncommon, but sounding so close to ‘Scott’, last name that people just assume and jump in to calling me Scott.
And then I Googled ‘Christopher Scott‘ and saw that over the last few years some bloggers have shared my work, which is cool, but have called me Christopher Scott. It has even happened in a publication. The first one I ever was in in 2009. So people are also reading Scott where they should be reading Stott.
So I’m writing this blog post as a way to perhaps catch some of those random Christopher Scott searches and shares that are actually looking for the art of Christopher Stott.
The Elliott Fouts Gallery director Michelle Satterlee produces the best catalogs for featured exhibitions.
The catalogs are available for purchase directly from the gallery – firstname.lastname@example.org ($15 + shipping).
My paintings are officially hanging at the Elliott Fouts Gallery in Sacramento, California. This July 2015 solo exhibition marks the 7th year I have been showing work with them.
The paintings will be on view July 4 – 30, 2015. I’ll be at the Second Saturday reception on Saturday, July 11 from 6-9pm.