From exhibitions

New Paintings 2026

I am happy to announce my solo exhibition at the Billis/Williams Gallery in Los Angeles, New Paintings 2026.

The exhibition is showing from February 21 to March 21, 2026.

1971 Olivetti Valentine / 36 x 36 inches / oil on canvas / 2025
1936 Adler Favorit / 36 x 36 inches / oil on canvas / 2025
1970 Quen-Data 620 De Luxe / 36 x 36 inches / oil on canvas / 2025
1969 Olivetti Studio 45/ 36 x 36 inches / oil on canvas / 2025

A quarter of a century ago, I began painting a variety of vintage and antique objects with a contemporary still-life approach. The charm of the world of things has always enamoured me. Representing them in painting has always highlighted what makes them so alluring. Now, more so than ever, these once all-important tools take on a symbolism of human creativity and ingenuity.

1976 Canon AE-1 / 24 x 48 inches / oil on canvas / 2025
1926 Underwood No.5 / 24 x 48 inches / oil on canvas / 2025

The shapes and forms of these functional objects, their designs and color, the way they are at once straightforward but also complex and intricate, make them the perfect subject to be represented in art.

1950 Paxina / 16 x 20 inches / oil on canvas / 2026
1957 Ansco Flash Clipper / 16 x 20 inches / oil on canvas / 2026

The Art of Clear Thinking

I have new paintings in another February 2026 group exhibition, this time in Fairfield, Connecticut, with the George Billis Gallery.

The Art of Clear Thinking I / 24 x 24 inches / oil on canvas / 2026 / framed

The Art of Clear Thinking is a self-help book published in 1951 that inspired these two paintings. For decades, centuries and indeed millennia, people have sought out guidance in books to help improve their lives. And now I get to use these books as a launchpad for composing paintings.

The Art of Clear Thinking II / 24 x 24 inches / oil on canvas / 2026 / on the easel

The Painted Word

I have two paintings in a group exhibition at the Robert Lange Studios in Charleston, South Carolina, for the month of February 2026.

It’s Story Time VI / 24 x 36 inches / oil on canvas / 2025

The group exhibition comprises paintings from several artists inspired by books and the written word, a subject that I have explored since the beginning of my painting career. At the beginning, the books were mere props, but quickly became a very direct, literal theme.

Paintings of books embody the themes and ideas from within the pages, from the earliest childhood introductions to books and reading in primary readers, the hope and optimism in so many of the titles, to the depth, knowledge, and wisdom in the literature anthologies. Painting these books is a lament on the forgotten art of reading. The slow, deep thinking, processing, and even being transported from the present moment. Perhaps a painting of books could inspire someone to take an adventure into the world of reading.

24 x 36 inches / oil on canvas

Seattle Art Fair 2025

I have four new paintings showing at the upcoming Seattle Art Fair (July 17-20). The Billis Williams Gallery will display them.

1:00, 2:00, 3:00 and 4:00, 5:00, 6:00 / each 12 x 24 inches / oil on canvas / 2025 / framed

My next major solo exhibition is scheduled to take place in Los Angeles in February 2026. Given the pace at which I work, I need to start preparing now, seven months in advance.

Hermes 3000 / 20 x 40 inches / oil on canvas / framed / 2025

My paintings have been more complex over the past few years. Whereas in the past, single objects were featured, I’m adding more and more to the compositions.

Commodore Speedwriter & Kodak Baby Brownie / 20 x 40 inches / oil on canvas / framed / 2025

Having all this work that needs to be done is a great way to stay distracted and avoid the doom and gloom of the news cycles.

A Garden of Stories at Robert Lange Studios

I have the pleasure of participating in the 20th anniversary exhibition at Robert Lange Studios in Charleston, South Carolina. The exhibition will be on display all of November 2024.

Over the years, I have sent many paintings to inspiring group exhibitions curated by the gallery’s crew. I was happy to be asked to participate again in this milestone show.

My wife and I are increasingly interested in tending to our garden, so I created this to celebrate what I see as an increasing hobby for our future. The books featured are Victorian-era garden books.

Garden of Stories / 24 x 24 inches / oil on canvas / 2021 / framed

Good Society

My family took the dogs for a walk, and when we rounded the corner to another block, I spotted this shabby old chair on a driveway with a sign saying “FREE.” I knew I could make it work in a painting or two the second I saw it. So, I told my family to go on without me as I lugged the old chair back home.

Good Society No.1 / 36 x 24 inches / oil on canvas / on the easel / 2024

I set it up in my studio and took out several antique books. And three of them were just given to me by my brother-in-law. A set of three volumes titled “Good Society.” I like that these two paintings are comprised of found and given objects.

Good Society No.2 / 36 x 24 inches / oil on canvas / on the easel / 2024

The Billis Williams Gallery will exhibit these two new paintings at the upcoming Seattle Art Fair, which will run from July 25 to 28.

A Quick Trip to Los Angeles

Billis Williams Gallery / Los Angeles / February 24, 2024
Seven Clocks / 36 x 30 inches / oil on canvas / 2023

I have returned from a whirlwind trip to Los Angeles to attend the opening reception of my current solo exhibition at the Billis Williams Gallery.

I went to the Los Angeles County Museum of Art, where I saw an exhibition called “The World Made Wonderous,” showcasing 17th-century Dutch collections, including many paintings from which I draw direct influence. I won’t get too nerdy here, but I was entirely in my element and wandered through the gallery twice to absorb as much as possible.

Then, it was off to the gallery for the reception, where I met and talked with artists, collectors, and curious gallerygoers. The conversations I have during the receptions are always so encouraging. The best part is connecting with Tressa Williams, principal director of the gallery, who has shown my work for thirteen years. The key to any artist’s success is having a team of enthusiastic people who share your work with the world — that is precisely what Tressa does.

Recent Clock Paintings

These two pieces will be part of my upcoming exhibition in Los Angeles at the Billis Williams Gallery, opening on February 24th.

My last exhibition in New York involved many large paintings, so this time around, I decided to work on a slightly smaller group of canvases.

Three Clocks & Pelican Classics / 18 x 36 inches / oil on canvas / 2024 / on the easel

Also, the black. Let’s talk about it. Years and years ago, I regularly set my work on deep black ground. I gradually phased that out and worked exclusively on white — or near-white grounds. In the past few years, I have done smaller paintings in black; it revealed my subject in a fresh and new way. So, above is the first of a slightly larger painting of what will become a new direction for my work.

Below, we have a neutral grey approach. Another way to make the subjects pop right off of the canvas.

Six Clocks – Folk Tales and Fables / 18 x 36 inches / oil on canvas / 2024 / on the easel