I was again invited to participate in a big group exhibition at the Robert Lange Studios in Charleston, South Carolina. Celebrating their 15th year in business, Everyone’s a Winner includes 40+ artists and will be on display during September. My contribution is The Pleasures of Life. Tap/click on the image for a closer look.
It is going to be a busy and productive fall and winter for me. I am setting up to work on several new paintings for my next solo exhibition which will be in Los Angeles in February/March 2020 at the George Billis Gallery LA.
First up we’ve got this set of cameras, just completed and set aside in the stockpile.
There will also be a few art fairs along the way before I head to LA for the show and I plan on having fresh work for them as well. I’ve got my work cut out for me.
May 3 is the opening day fora group exhibition called “Perfectionists” at the Robert Lange Studios in Charleston, South Carolina. Check out my contribution to the show below.
When I was invited to participate I thought about the idea of “perfectionism”. I’ll be honest — it’s sometimes my problem. I want everything to be perfect and in reality, it can’t be. The reason I keep painting is that I am trying to perfect my work. The previous painting I completed didn’t seem to work out exactly as I had planned, so I try again with another painting. If I live forever, will I paint forever, always chasing the elusive perfect painting?
When I set up a group of objects for a painting I always consider negative space, repeating elements, shapes, angles, lines, perspective — everything that moves the eye around the canvas. I use grids to help outline the composition. The objects I paint are engineered machines with symmetry and balance often baked right into their designs, so applying these rules to the paintings seems fitting. The overall effect I am trying to achieve is a sense of order, calmness and stability. Painting these objects transforms them from cold and banal tools to something more human and hopefully pulls a viewer in to think about how they relate to the world of objects around them.
The evening of the reception for my exhibition saw great weather and a good turn out. I had many conversations — it’s nice to get feedback from others as we stand in front of the actual paintings.
Below are some very crude iPhone snapshots of the installation and some people pondering the paintings.
Seeing the paintings framed and lit is a joy for me — as I usually see them up close and usually in an incomplete state. I am grateful to be able to do this — to spend my days working on my art and to then have the opportunity for a gallery to spend time and energy to share the work.
I had my two teenagers with me this time around. We spent 5 days walking around New York and taking it all in. I am now back in my studio and hard at work on another painting that has a tight deadline, which seems to be the way I work best.
This is always exciting — seeing your work in print. American Art Collector magazine has a nice preview for the paintings that will be in my upcoming exhibition in New York.
The exhibition runs from March 26 to April 27. I’ll be travelling to New York for the reception that is on Thursday, March 28 from 6-8pm.
All of the available paintings for the show are now on my website, you can view them → here.
The George Billis Gallery has some of my work showing at the Art Palm Springs fair. The fair is on from February 15 to 18.
It’s always nice to see my work grouped with other artists from the gallery.
There is a great preview in American Art Collector magazine for the October 2018 Souvenir group exhibition at the Robert Lange Studios in Charleston, South Carolina.
It’s always an honour when my work appears in slick publications along side so many artists that I admire.
I’m happy to announce that my painting, Brownie Hawkeye, will be part of the Robert Lange Studios October 2018 group exhibition in Charleston, South Carolina.
It’s an exhibition with a take-away. The collector also gets the actual camera.
The opening reception is this Friday, October 5.
Happy to share that I have some new paintings at the George Billis Gallery NYC in the Summer Group Show. The show is up from July 10 through August 4.
Check out my painting in the slick catalogue for the exhibition Tick-Tock: Time in Contemporary Art at the Lehman College Art Gallery. The exhibition ran from February 2 – May 5, 2018.
My painting, Three, was included in the exhibition with numerous other works of depicting the concept of time.
“Stott created this quietly beautiful still life of three alarm clocks, all pointing to three o’clock, using a restrained palette of silver, taupe, and aqua that is subtly complimentary, like musical variations on a single theme. The artist revels in the visual satisfaction derived from the delineating variations in groups of similar objects. Here, the shapes of the bells, font of the numbering, and the style of the hands all lead the eye through and around the painting, encouraging the viewer to contemplate the similarities and find the differences in a kind of visual game.”
The George Billis Gallery LA had some of my work showing at the big Art Market San Francisco art fair.