By Chris

Christopher Stott is a contemporary realist painter.

The Studio

I have been busy working on new paintings for my upcoming April exhibition at the George Billis Gallery in Los Angeles. I’ll share new work soon, but in the meantime, here’s a glimpse of the studio as it was on February 2, 2018.

ITOYA 2018 Calendar

Last year ITOYA issued a calendar featuring a dozen of my paintings, and this year they’re back with a 2018 calendar. The calendar is made exclusively for the Japanese market, and ITOYA is in charge of all the sales.

The calendar is large, measuring at 23.5″ x 16.5″ and printed on sturdy, heavy weight paper, the images are big and colorful.

If you’re outside of Japan, try using to import the calendar. You can find the calendar on the ITOYA website here.

Thank You, Again

Thank You II / 30 x 24 / oil on canvas

The big red Acorn gum machine’s little blue brother. As I have lamented before, I wish everyone looking at this on their screen could see it in person. The colour, the detail the subtle texture of the painted surface, all these vanish and flatten with the backlighting of the device you’re viewing.

Thank You II – Detail
Thank You II – Detail



October 5 – Opening Reception

I traveled to New York to attend the opening reception at the George Billis Gallery for my current exhibition. My son came along for a few days of site seeing. He turned 15 on the day of the reception and I’m glad to say both he and I had a great time.

Sharing Paintings on Social Media

Receptions, for me, can be a bit of a nerve rattling experience. As a studio painter I spend all of my time in solitude and concentration. Focussing on square inch by square inch on each painting. This is, of course, exactly how I want it. It’s why I’m able to make as much work as I do. I like working toward the deadline of a gallery exhibition. It gives me something to aim towards.

So after spending so much time alone with each painting, it can be an exhilarating experience to see them hanging and lit in a large gallery space. I am especially proud of the way this exhibition turned out. But it can feel a bit exposing for there to suddenly be dozens of people looking so closely. These paintings invite this close scrutiny.

The best part about the receptions is connecting with people who make it a point to come see the paintings in person. I always say that I wish everyone could see them in their natural habitat instead of on a phone, tablet or computer screen.