2020 brings in another calendar from ITOYA in Japan. For the past four years, this fine stationery store sells a calendar they produce with my images. It’s a total delight and I love it — large and sturdy and tastefully designed.
This year ITOYA has also added a desk calendar.
The calendars are only available in the Japanese market — if you’re outside of Japan, try using tenso.com to import the calendar. You can find the calendar on the ITOYA website here.
I had the honour of having my painting appear on the cover of the summer and fall 2019 edition of The Southampton Review. Inside the beautifully published literature and fine art journal, there are also 8 paintings from my portfolio.
I am pleased that the publisher appreciates the poetry of my paintings and finds them able to relate to their audience and correspond with the other art and writings in the magazine. I aim for my paintings to have subtle narratives and it is a privilege to be able to spend my time endlessly working on them.
It is going to be a busy and productive fall and winter for me. I am setting up to work on several new paintings for my next solo exhibition which will be in Los Angeles in February/March 2020 at the George Billis Gallery LA.
First up we’ve got this set of cameras, just completed and set aside in the stockpile.
There will also be a few art fairs along the way before I head to LA for the show and I plan on having fresh work for them as well. I’ve got my work cut out for me.
The evening of the reception for my exhibition saw great weather and a good turn out. I had many conversations — it’s nice to get feedback from others as we stand in front of the actual paintings.
Below are some very crude iPhone snapshots of the installation and some people pondering the paintings.
Seeing the paintings framed and lit is a joy for me — as I usually see them up close and usually in an incomplete state. I am grateful to be able to do this — to spend my days working on my art and to then have the opportunity for a gallery to spend time and energy to share the work.
I had my two teenagers with me this time around. We spent 5 days walking around New York and taking it all in. I am now back in my studio and hard at work on another painting that has a tight deadline, which seems to be the way I work best.
I’m adding the finishing touches to this piece which will soon be off to Los Angeles for my next exhibition at the George Billis Gallery. There’ll be a clean dozen paintings on view. I’m busy working on them now. I’ve got my work cut out for me.
I have been busy working on new paintings for my upcoming April exhibition at the George Billis Gallery in Los Angeles. I’ll share new work soon, but in the meantime, here’s a glimpse of the studio as it was on February 2, 2018.
Last year ITOYA issued a calendar featuring a dozen of my paintings, and this year they’re back with a 2018 calendar. The calendar is made exclusively for the Japanese market, and ITOYA is in charge of all the sales.
The calendar is large, measuring at 23.5″ x 16.5″ and printed on sturdy, heavy weight paper, the images are big and colorful.