Here’s a quick iPhone snapshot of what was on my easel one morning this past week.
These two paintings are works in progress for my upcoming October exhibition at the George Billis Gallery in New York City.
Here’s a quick iPhone snapshot of what was on my easel one morning this past week.
These two paintings are works in progress for my upcoming October exhibition at the George Billis Gallery in New York City.
This will sound sentimental, but who cares. I like the thought of how exciting these cameras would have been to a kid who received it as a gift. Back when photography took time, it would have seemed magic. I like the thought that these lenses were the eyes on so many events.
And then there is the fact I can present these objects in such an orderly way. The four cameras are all 3/4 turned, facing to the right. These black cubes, such simple shapes, with the circular flash from the unique Spartus camera. The stack of ten cameras makes a small architectural structure, each with a different facade. The box cameras with their shining brass art deco designs, the different materials used. Composing the cameras this way adds a structure and order.
The materials, their designs, the history and story, their utility as image making tools, cameras are deserving of a portrait.
I have been painting cameras for well over a decade. You can see 40 paintings of cameras I’ve done on good old Flickr.
As with many of my recent paintings, the subjects were found at Everything Old in Brentwood Bay on Vancouver Island.