I’ll be calling this one “All the Time in the World”. It’s a bit challenging but that’s a good thing. Clocks are a subject I’ve worked with over and over again for many years. Rife with symbolism and ideas – it’s an ongoing process to perfect technique. Layers of paint over several days, I keep entering the studio throughout different times of the day and seeing areas that need reworking.
This past week I spent some time with some do-overs.
These two paintings are from a few years ago and although they don’t look too unusual for my work, they did before I repainted the backgrounds.
Before these pictures were taken, the backgrounds were what I call explosion blue. They were a vibrant, unnatural, unfamiliar, chemical blue.
They were complete and even hung in a gallery for some time, but I was happy to get them back to correct them. I was pleased with the balance and geometry of the compositions, but the blue was so peculiar to my eyes that I had a hard time looking at the paintings.
I removed the varnish and added some layers of a much more subtle and neutral tone — a white/grey with only the most subtle, barely perceptible hint of blue. Immediately it felt as though my own personality returned to the paintings.
I did the vibrant blue backgrounds on the suggestion from a friend who was giving some opinion on changes they thought would add some “pop” to my work. In a moment of weakness and confusion, I took their advice. It was as though my own signature was removed from my work.
The opportunity for the do-over has been very therapeutic.
Imagine if life were like a painting. Imagine if you could literally get a moment or an event back, remove the varnish and make your corrections.
I have been busy working on new paintings for my upcoming April exhibition at the George Billis Gallery in Los Angeles. I’ll share new work soon, but in the meantime, here’s a glimpse of the studio as it was on February 2, 2018.
I haven’t shared anything on my blog in a few weeks because I’m knee deep in several complex paintings. I don’t know how some people have the time to share so much on social media. Every time I decide I should post on Instagram or Facebook it seems to take way longer than anticipated. I’d rather be painting.
Oh, summer. You make it so hard to stay focussed in the studio. The lure of the sunny beaches and trails to explore. Please grant me a few overcast or rainy days so I can lock myself in the studio for a few hours to finish these paintings.
Once these two paintings are complete, they’ll be heading to the Elliott Fouts Gallery in Sacramento, California.