Fourteen Cameras / 24 x 48 / oil on canvas / 2019

I shared an image of this painting in the final stages on the easel, and here it is complete — shown with some of the cameras I’ve collected so you can get a better idea of the scale of the painting.

This is a companion painting to the clocks that I recently painted. The objects are all functional, they serve a purpose and all fit in the hand. They are painted slightly larger than life-size.

The canvases are twice as wide as they are high — they make you look left to right and I deliberately composed them to form an arch — the images below demonstrate what I’m trying to get across.

Fourteen Cameras / 24 x 48 / oil on canvas

The myriad of repetitive circles — the lenses and flashes of the cameras, the faces of the clocks also move your eye along and across the surface of the painting. The details hopefully pull you in. These objects all serve the same purpose, but they have subtle differences that make each one unique.

My goal was to take this very simple compositional style — an object shown straight forward on a white shelf — and transform it into a rather complex scene of minute detail.

All the Time in the World / 24 x 48 / oil on canvas

Both of these paintings have already been claimed by collectors — I hope they make them happy for decades to come.

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