From February 2020

Answer the Call

Twenty years ago I was an art student at the very beginning stages of exploring painting. For years and years before that, I had always been drawn to visual arts and had an aptitude for it, especially drawing. I even took a keen interest in reading biographies of long-dead artists and seemed to retain facts and trivia about their lives.

Finding your voice, discovering your subject, and creating your own vision and style was a task that was given in one of my classes.

I found mine early on and it took a permanent hold.

Long Distance / 12 x 24 inches / oil on canvas / 2019

There’s the obvious reason I would paint vintage objects — they’re interesting. They simply look good from all angles, especially straight on. Looking at them in their painted form, you can almost hear the sounds they make, the weight of them, get a sense of interacting with them. Early on I knew that there was a personality within them and I bank on that with each new painting.

Long Distance II / 12 x 24 inches / oil on canvas / 2019

Conversations

Almost always I work on two paintings in tandem and they have a conversation of sorts.

These two paintings illustrate this in the most obvious way. The dishevelled books in the first painting make me feel tense, scattered and hectic. The second painting is calm, organized and relaxed. States of being.

Chair & Books I / 48 x 30 inches / oil on canvas / 2020

I found this chair a few years ago at Everything Old — an amazing antique shop on Vancouver Island. It was white and obviously sat in a shed or garage for a few decades. I cleaned it up and painted it black — the simple and basic design has set a perfect contrast against the wall, the varied golden pages of the books pop out.

Chair & Books II / 48 x 30 inches / oil on canvas / 2020

Pure Imagination

The objects I paint are always shown as they are in the world — I don’t pull any magic tricks — it’s straightforward realism. But the one thing I do is scale-up. These bubble gum machines can hold a place of imagination and nostalgia. When painted large and bold, they dominate the space they are in. I suppose, in a way, the “trick” is to make you notice and captivate you, even just for a moment.

2¢ / 36 x 36 inches / oil on canvas

I had these hanging in my house for several months, but they are now in Los Angeles at the George Billis Gallery where they will be on display from February 22 – March 28.

Oak Gumball Machine painting by Christopher Stott
Oak Gumball Machine / 36 x 24 inches / oil on canvas