From painting

Smith-Corona

Smith-Corona Typewriter Painting by Christopher Stott

A Smith-Corona typewriter. Recently completed and now comfortably inspiring a new collector in New Jersey.

Several years ago I started painting a series of typewriter vignettes. Recently looking for inspiration, I found that revisiting my own paintings as a place to learn and grow from.

You can check out all of my typewriter paintings to date on Flickr → click on this link.

Smith-Corona in progress / 1 of 2
Smith-Corona in progress / 2 of 2

Oliver No. 3 Typewriter

Oliver No.3 Typewriter Painting by Christopher Stott

This painting of an Oliver No.3 Typewriter from 1907 is my contribution to the Attention to Detail exhibition at the Robert Lange Studios in Charleston, South Carolina. The Exhibition runs through February 2017.

Robert Lange Studios / February 2017

The exhibition features 30 realist painters from the USA, Canada, Spain and England. It is an honour to have been invited to show my work beside artists who share an affinity for this labour intensive approach to painting.

I found this magnificent typewriter at Everything Old – an antique shop near my home.

Eight Penguin Classics

Eight Penguin Classics Painting by Christopher Stott

Many of these Penguin Classics are the books that you should have read when you were in your teens, but probably wouldn’t have understood fully until you were in your thirties. It is available through the Elliott Fouts Gallery.

Giving these books a try early on in life is good but I have personally found that revisiting them later makes them way more relevant. These books are written by people who had a full spectrum of experiences and knowledge and I am only now finding that I understand where they come from.  Read more

The Way To Win

The Way To Win Book II Painting by Christopher Stott
The Way To Win II / 18 x 36 / oil on canvas

I found this book, The Way To Win, and had to add it to my little late 19th Century library of books that reveal the way our people were thinking just over 100 years ago. The book is a very detailed, very long self-help style book from a John T. Dale.

The Way To Win Book I Painting by Christopher Stott
The Way To Win I / 18 x 36 / oil on canvas

After browsing through the chapters, I’m left to wonder if anyone who picked up the book in 1891 found success as they went chapter by chapter and tried to structure a meaningful, successful life.

The thing that I find interesting is how this book reads and seems so much like modern-day self help. It’s all here, published 125 years ago. You can find all of this being self-published on countless blogs or YouTube channels today. I wonder if John T. Dale would have found an audience if he was one of those numbers today?

The Way To Win by John T. Dale
The Way To Win by John T. Dale
The Way To Win by John T. Dale
Learn to Say No / The Way To Win by John T. Dale
The Way To Win by John T. Dale
The Uses of Adversity / The Way To Win by John T. Dale
The Way To Win by John T. Dale
Be Kind / The Way To Win by John T. Dale

HB #2 Pencils & Nineteen Eighty-Four

HB #2 Pencils by Christopher Stott
HB #2 Pencils / 18 x 14 / oil on canvas

I’ve done a few more studies, although one could be seen as more of a reach back to around a decade ago when pencils seemed to figure frequently in my paintings.

These paintings will be included in the small works December exhibition at the Elliott Fouts Gallery.

Nineteen Eighty-Four Book Painting by Christopher Stott
Nineteen Eighty-Four / 18 x 14 / oil on canvas

I found a bunch of Penguin Classics that I’ll be featuring in some upcoming paintings — this painting is the first study.

Nineteen Eighty-Four is one of my favourite books. Although it is fascinating, I actually don’t fear that the world depicted in it is the one we live in. It’s more like the one we are afraid we live in, and the truth is we actually live in a Brave New World which seems equally as terrifying.

Primary Fans

Yellow / 16 x 12 / oil on canvas
Red / 16 x 12 / oil on canvas
Blue / 16 x 12 / oil on canvas

My work has been, for several years, shifting toward a stark, near-white ground. These three paintings signal a shift to adding more immediate color to my paintings. I thought an obvious dose of primary colors would be a good place to start.

These are my prototypes that will eventually take me in a new direction. New ideas and experimenting happening in the studio – it’s exciting. Read more