From painting

In the Woods, History of the World

Christopher Stott Painting / In the Woods / 18 x 14
In the Woods / 18 x 14 / oil on canvas

I like to find obscure books with titles that suggest the subject beyond just a couple of books. Sometimes the suggestion is obvious, sometimes not. I prefer when it’s not as it means the painting can mean any number of things to any viewer. To me they’re akin to haiku poetry – the paintings are to suggest mood and ideas.

I have been painting books for close to a decade. You can see 155+ of those paintings here.

Christopher Stott Painting / A History of the World
History of the World / 18 x 14 / oil on canvas

Four, Five – Vintage Alarm Clocks

Five / 12 x 24 / Christopher Stott

These colourful vintage alarm clocks – I can’t seem to get enough of them. I could paint them over and over. These will be showing at my October/November 2015 exhibition in New York City.

Christopher Stott Painting / Five Vintage Clocks / 12 x 24 / oil on canvas
Five / 12 x 24 / oil on canvas

Five, already belongs to a collector, but there are limited edition archival prints available at the George Billis Gallery — click here for details.

Christopher Stott Painting / Four Vintage Clocks / 18 x 36 / oil on canvas
Four / 18 x 36 / oil on canvas

Four — a tidy arrangement with an even tempo and rhythm, also available as a print.

Corona No.3 & Tom Thumb

Corona No.3 Typewriter painting by Christopher Stott
24 x 30 / oil on canvas

Typewriters are ambitious.

What I mean is that whenever I set out to paint one, I realize how technically difficult they are to paint and I feel like I’m being ambitious. They are full of these intricate details and repeating shapes, they take full concentration and a great deal of time. Getting those keys right is a slow process.

Then there is the idea of writing, story telling, compiling ideas. Getting it right the first time. Typing your thoughts on a typewriter is all about concentration – just like painting them.

The little green Tom Thumb below is a working children’s typewriter from the 1950s. I love how it contrasts with the classic Corona No.3 above.

Tom Thumb Typewriter Painting by Christopher Stott
24 x 30 / oil on canvas

The Art of the Camera

Bencini & Leica Cameras Oil Painting Art Christopher Stott
12 x 24 / oil on canvas

Kodak, Bencini, Leica, Yashica. USA, Italy, Germany, Japan.

Learning about these cameras is like a 20th century world history lesson. The makers of these cameras have all been affected by world events, the economy and changing technology. Even though they are obsolete, they still have avid collectors and enthusiasts.

Vintage Kodak Camera Oil Painting by Christopher Stott
22 x 28 / oil on canvas

With the Kodaks painting above, I composed an arch with the lenses and flashes, giving the painting an architectural feel.

We have had PHD (Push Here, Dummy) cameras in our pockets for a hundred years, but it’s the ones that look like they were pieced together by watchmakers that are fun to paint.

I like that they were all used to make art, to document holidays, travel, weddings and so many other happy events. What’s strange is that the photos from the cameras are all missing, lost or hidden. It really makes me wonder what will happen to the billions of photos we upload from the cameras on our phones now.

Two Yashica Cameras Oil Painting by Christopher Stott
18 x 14 / oil on canvas