Tagged george billis gallery

Western Electric Rotary Telephone – 2004 & 2017

Western Electric Rotary Telephone by Christopher Stott

Western Electric Rotary Telephone – this new painting is showing at the George Billis Gallery in New York City.

Thirteen years ago I painted this phone for the first time. It was when I began seriously building my oeuvre. I would paint fast and furious, thinking that a quickly rendered, expressive way of painting was what I wanted to achieve. It never really felt like a natural way for me to paint, but the subject always felt like the right one.

11 x 14 / acrylic on canvas / 2004

I was painting with acrylics, and if the painting wasn’t done after an hour of work, then I felt like I was taking too long.

Over time I slowed way, way down and focused with an indirect painting technique. A very slow building of layers in oils. In person my paintings are still far more painterly than they appear on the screen before you.

Over the past several months I have experimented with paintings and tried a few different approaches. I’ll still do such experiments now and again, but I have decided to look back over the last 17 years of my paintings and will simply re-paint my own work with my new approach and technique. I want to copy my own portfolio, I want to see if I can make the paintings better, I want to see if I can learn from my own work.

In 2004 I signed up for Flickr where I have archived 740 of my paintings. Most of my works is there, including work done in 2000 as a student. Anyone who wants to see, warts and all, is welcome to browse.

Corona & Royal Typewriters

Corona No.3 Typewriter Oil Painting by Christopher Stott
Corona No.3 / 24 x 36 / oil on canvas

Typewriters are all about ideas and writing. They seem to spark the act, I think it’s because of the physicality of them. They make this amazing noise, your words literally express themselves vocally as you tap away at the keys. You have to immediately concentrate, your whole mind and body becomes involved. You focus.

Royal Typewriter Oil Painting by Christopher Stott
Royal Typewriter / 20 x 40 / oil on canvas

These two typewriters are a great contrast to one another – the Corona with its sleek black curves and stately design, the Royal with its crisp blue and modern edges.

I have these typewriters in my collection, and when they’re out of their cases they invite anyone around to sit down and type.

Both of these typewriters were found at Everything Old – an antique store in Brentwood Bay on Vancouver Island.

George Billis Gallery LA, May 21 – July 2, 2016

I had a great time in Los Angeles at the opening reception for my exhibition at the George Billis Gallery LA.

Christopher Stott / New Paintings / George Billis Gallery LA / 2016
Christopher Stott / New Paintings / George Billis Gallery LA / 2016
Christopher Stott / New Paintings / George Billis Gallery LA / 2016
Christopher Stott / New Paintings / George Billis Gallery LA / 2016

For the most part, being a painter is a solitary experience. One spends a great deal of time focussing and concentrating on making the paintings, then things turn completely and you find yourself sharing the finished pieces with everyone you possibly can. It can be a little jarring to go from solitude and privacy to a public, open space.

But I’m very happy with the way the paintings turned out. And I think the gallery did a great job of displaying the paintings.

John A. Peralta / Fiat Lux I
John A. Peralta / Fiat Lux I

The gallery is also showing a few sculptural pieces by John A. Peralta. These exploded camera and projector pieces are fascinating. I see it as a deconstruction / reconstruction way of looking at things. Viewing these exploded objects has the same effect as my paintings – they make the viewer slow down and really investigate the object.

John’s construction of these sculptures is absolutely meticulous. True craftsmanship.

New Paintings at the George Billis Gallery LA

I’ve been working toward this exhibition of a dozen new paintings over the last several months. I’m very happy with the way each one turned out – you can see them here.

If you’re in the Los Angeles area, please do check it out. The paintings will be hanging at the George Billis Gallery LA from May 21 – June 25, 2016.

I will be at the artist’s reception on Saturday, May 21 from 5:00 – 8:00pm. Come say ‘hello’ if you can.

Work in Progress

Ten Vintage Alarm Clocks Oil Painting by Christopher Stott

Another quick glimpse at one of the paintings I’ve been working on.

I’ve spent a great deal of time working on the shadows and highlights on this piece.

As with all my work, looking at it on your screen – a computer, a phone, an iPad – it’ll look far more tight than it does in the flesh. When standing in front of the actual painting you’ll see several think layers of paint.

Work in Progress

Vintage Camera Painting in Progress

Above is an early evening view of the easel as I shut down after a long day of working with tiny brushes on the details of these vintage cameras. I like seeing the paintings in different light, I grabbed my iPhone and took this quick snap as the light faded.

For over a month now I’ve been flowing along in the studio, working on numerous paintings that will be heading to the George Billis Gallery in Los Angeles for an exhibition running from May 21 – June 25, 2016.

The paintings I’ve been working on are complex and full of details, so all my focus and energy has been on the paintings. By the time I’m done a painting session I find myself a bit mentally exhausted. Retreating from social media is important when I’m focussing on painting. There seems to be this pervasive pressure to constantly share what one is up to in the studio, but honestly, I find it easier to just rest instead of coming up with something put on Facebook or Instagram.

Four, Five – Vintage Alarm Clocks

Five / 12 x 24 / Christopher Stott

These colourful vintage alarm clocks – I can’t seem to get enough of them. I could paint them over and over. These will be showing at my October/November 2015 exhibition in New York City.

Christopher Stott Painting / Five Vintage Clocks / 12 x 24 / oil on canvas
Five / 12 x 24 / oil on canvas

Five, already belongs to a collector, but there are limited edition archival prints available at the George Billis Gallery — click here for details.

Christopher Stott Painting / Four Vintage Clocks / 18 x 36 / oil on canvas
Four / 18 x 36 / oil on canvas

Four — a tidy arrangement with an even tempo and rhythm, also available as a print.

George Billis Gallery LA – January 2015

I have several recent paintings showing at the George Billis Gallery in Los Angeles from January 10 through February 14, 2015.

I find it remarkable that I was able to make any new work at all, considering how insane the last 8 months of my life has been.

It all started when we prepared our house for sale. We decided we were going to move 1,000 miles to a warmer climate. It’s no small undertaking to downsize your belongings after a decade of life in a house. With kids. While you’re still trying to make paintings. But we did it. We sold our house in a mere 3 days and then had to prepare to move. Another massive undertaking with more downsizing.

We hunted for a home, under the impression that we’d simply sell our beloved home and find its equivalent 1,000 miles away in a city we knew little about. Instead we ended up hunting for a suitable place to rent. Finding a place to rent wasn’t as hard as we thought and renting meant we could learn about our new city, make friends, relax and casually look for a home to call our own.

It didn’t happen that smoothly. Although the house we rented was great, the other tenant who lived in the ground floor suite was one of the worst possible tenants anyone could ever imagine living near. It shocked us. I’ll spare the gory details, but if there’s one thing I learned with the experience, it’s that you never, ever want to get on the bad side of an activist call girl (“luxury companion” as she referred to herself as) and her drug dealer boyfriend. It was bad. And my innocent, wonderfully naïve family had some major life lessons we didn’t ever expect would come our way.

And then we found a home. In a quiet, safe, wonderful neighbourhood. With a great big studio. And everything turned around. And we’ve made wonderful friends and found out things can be just as good as you once imagined.

So we packed up and moved from our interesting rental. Again, upending everything in our lives. Yet I managed to find time to do what I do best. Time to sit in my studio and quietly work on my quiet paintings.

The World Around Us / 48 x 24 / Oil on Canvas
The World Around Us / 48 x 24 / Oil on Canvas


Baggage IX / 30 x 30 / Oil on Canvas
Baggage IX / 30 x 30 / Oil on Canvas


Six Kodaks / 18 x 36 / Oil on Canvas


Three Kodaks / 18 x 36  / Oil on Canvas
Three Kodaks / 18 x 36 / Oil on Canvas


Friends Far and Near / 30 x 30 / Oil on Canvas
Friends Far and Near / 30 x 30 / Oil on Canvas