By Christopher

Christopher Stott is a contemporary realist painter.

It’s all written down.

Underwood No.5 / 30 x 30 inches / 2021 / on the easel

I have written in a journal for 29 years. Let me tell you if you dig up and read the first entry written by your adolescent self, it’s remarkably revealing. Over the years, the purpose of the writing has changed. It can sometimes be like a daily log, but the business of life means that it is hard to keep up and often pointless. So I have kept it up to write about and document significant events.

There are podcasts and radio programs where people are invited to read their journal entries from their adolescence — in front of audiences, no less. It seems like a mortifying experience, and after recently reading through the earliest entries, I am pondering ripping out a few of the pages.

I am most keenly aware of is how the early teen me conceived the passage of time. At 15-years-old, six months is like a lifetime. And now, in middle age, six months seems just around the corner.

This painting is recently finished. It took me over a month to complete, but I felt no sense of urgency. An urgency that in my 20s was always prevalent.

Work in Progress

I listen to radio, podcasts and audiobooks while I work. I have done so for over a decade. I have noticed that when I look back at past paintings, I can instantly recall what I was listening to. This is not true for all paintings because not everything I hear makes an indelible mark. But some things have significance, and they signal a turning point or an idea that has substance and holds.

Ford Quality Ball Gum / on the easel

Fact: if you pose your hand holding a brush up to your painting, more people will stop and look at the image when they’re scrolling through on their phones. My hand in the photo does a few things; it offers a sense of scale and offers the sense of a human being behind the work you are looking at.

Five, Six, Seven

Continuing with the 10 x 10 clock paintings that I shared at the beginning of 2021, this time with a teal variation. These clocks were among the first that I started to collect about 15 years ago and remain my favourite.

Five / 10 x 10 inches / oil on canvas / 2021 / on fhe easel
Six / 10 x 10 inches / oil on canvas / 2021 / on the easel
Seven / 10 x 10 inches / oil on canvas / 2021 / on the easel

The Art of Real Happiness

“No age has a monopoly on misery,” and with that quote, the book featured in this painting starts the guidance on how to live an abundant life.

Published in 1950, The Art of Real Happiness is a reconciliation of old-age religious beliefs and modern psychology. I always try to have a book on the go, and I have been reading history books lately, and if there is one theme that is consistent through millennia, it is the collision of “old” and “new” ways of thinking.

It seems as though we are entering a new era where our conflicting ways of thinking, our myriad of philosophies and beliefs are colliding. And as a quiet observer of the world around me, I find myself straddling feelings of excitement and worry.

16 x 16 inches / oil on canvas

What Must I Do To Get Well? And How Can I Keep So?

What Must I Do To Get Well? And How Can I Keep So? is the title of the book featured in this new painting. A question that continues to plague us, and in the 1890s, Elma Stuart published this book in the hopes to help some find the answers.

A little rant: everything happens in cycles, nothing is new, we are having the same experiences our ancestors did, the only thing different is the phone in your hand (and some other nifty tools like indoor plumbing and refrigeration).

As I flip through the book, I’m amused at how the ideas and philosophies in it can be found in advertisements and influencers that now dominate social media. We have added some more wisdom and inventions along the way, but the gist of it all remains the same as it was 130 years ago.

What Must I Do to Get Well and How Can I Keep So? / 16 x 16 inches / oil on canvas / framed
What Must I Do to Get Well? And How Can I Keep So? / 16 x 16 inches / oi on canvas

On the Cover

I was pleased to see my paintings featured on the covers of some literary publications in the United Kindom recently.

Aesthetica Creative Writing Award 2021 & The North January 2021

My painting Nine Clocks was one of three paintings I had in the Aesthetica Art Prize 2020 last year. You can read about that exhibition here. Aesthetica also has a writing award and their tradition is to use one of the visual images from the art prize to feature on the cover of the anthology for the writing award.

Aesthetica Creative Writing Award 2021 / Nine Clocks by Christopher Stott on the cover

The Poetry Business from the United Kingdom publishes The North Magazine twice a year, so it was nice to have them reach out to me to ask if they could feature one of my paintings on the cover. It’s validating when poets and writers are able to connect my work with their craft. They chose The Relationship Between Blue & Green from 2015.

The North Issue 65 / The Relationship Between Blue & Green by Christopher Stott on the cover

A work in progress. On we go.

I’m putting the finishing touches on this painting on what is a very optimistic day.

There have been so many setbacks for everyone, especially in this last year. But it is beginning to feel like we are turning a corner and things will again move forward.

These primary readers from the 40s, 50s, and 60s are sending me the signals. On we go!

On We Go / work in progress

Four, Three, Two, One

I never thought I’d be so anxious to see a new year arrive. I personally know people who suffered enough in 2020 to make wishing a Happy New Year sincere and genuine. I hope 2021 is a turning point toward better days.

Four / 10 x 10 inches / oil on canvas / on the easel
Three / 10 x 10 inches / oil on canvas / on the easel
Two / 10 x 10 inches / oil on canvas / on the easel
One / 10 x 10 inches / oil on canvas / on the easel

This suite of four colourful little paintings was just completed — a project to help me countdown to the end of 2020.

Little Bouquets of Pencils

New work available at the George Billis Gallery in Los Angeles.

Red Pencils / 16 x 12 inches / oil on canvas / 2020 / on the easel

One of the best parts of elementary school was always getting a set of new pencil crayons at the beginning of the year despite having perfectly good ones previously.

HB Pencils / 16 x 12 inches / oil on canvas / 2020 / on the easel