From painting

Twenty

I have been sharing my work on the internet for twenty years in all the various incarnations of websites, blogs, apps, social media, platforms, etc. And if there is one thing I know for sure now, it’s that no matter how dedicated you are to a particular service or application, it will, without any doubt, completely change or even vanish entirely.

The personal website, like this one, have been around since day one. So my work gets to live here for anyone to come and see at any time instead of being washed away in the ever-growing flood of new images that flash past your eyes on Instagram.

The only advice I would give other artists about their careers is to set up and maintain a good website. Instead of pouring all your energy into things like Instagram, focus on a website. Because after 20 years or more, you’ll see it is worth the effort.

New Work in New York City

Red Royal Quiet Deluxe II / 24 x 36 inches / oil on canvas / 2022 / on the easel

This Red Royal Quiet Deluxe and Books + Pencils will be shown in New York City with the George Billis Gallery for the next few months.

Books + Pencils / 24 x 36 inches / oil on canvas / 2022 / on the easel

Back into the swing in the studio, the next several months will be busy focusing on the tiny details of many paintings.

Silver & Gold

Two new clock paintings at the George Billis Gallery in Connecticut — 10:10, No.16 & 10:10, No.19. Silver & Gold.

August, ugh — consistently the most challenging month for me to focus on work. To sit and paint all day long doesn’t work for me in August. The sun is at the wrong angle, making the studio’s light so harsh and brutal. Like so many other parts of the world, the days in my area are hot and dry. So dry. The entire region looks haggard and worn out, tired from the long hot summer days coming to an end.

I focus on preparing canvas for a burst of creative activity in the fall; when the light changes, the temperature cools down, and clouds return to the sky, diffusing the light, making the shadows softer and calmer.

Art Market Hamptons 2022

Here are two new paintings, shown on the easel, that the George Billis Gallery will have at Art Market Hamptons on the east coast, which runs from August 11–14, 2022.

Ampro Projector & Case / 40 x 30 inches / oil on canvas / 2022 / on the easel

The galleries keep me busy with exhibitions and several fairs throughout the year. I am already set to work for the upcoming fall fairs.

Globe / 40 x 30 inches / oil on canvas / 2022 / on the easel

New Work

Here’s a glimpse of another new painting that will be shown at the Seattle Art Fair with the George Billis Gallery from July 21 – 24.

Corona No.3 / 36 x 30 inches / oil on canvas / on the easel / 2022

Upcoming Fairs

I just completed this piece for the upcoming Seattle Art Fair, where the George Billis Gallery will showcase this and some other paintings. The fair runs from July 21—24.

Red Royal De Luxe / 36 x 30 inches / oil on canvas / 2022

A fellow painter reached out to me and told me they had this fantastic classic typewriter — I have the same model but in blue. So I jumped at the chance to paint a red one.

And now I have to set to work on new paintings for an art fair on the other side of the continent — The Hamptons art fair, which runs from August 11—14.

New York City Exhibition

I am happy to share the news that I will be exhibiting some new paintings in New York City — the paintings go up from May 24 to June 11, 2022. The George Billis Gallery has a space at The High Line Nine Gallery at 507 West 27th Street for the summer.

If you are familiar with my work and have been following the progress for some time, you’ll see a new direction in some of the paintings. It would be about 14 or 15 years ago that I painted in “black” — and I have to say that I find it refreshing to take my favourite subjects and breath new life into them.

New Work / George Billis Gallery NYC / May 24 – June 11, 2022

Work in Progress

My exhibition in Los Angeles is done and I have run through the full cycle of emotions after completing a large body of work and exhibiting and promoting it. I have found over the years, that the best way to battle the expectations and anti-climactic feelings is to just jump right back into making new paintings. So that’s what I am doing. I just put the finishing touch on a dozen clocks, shown here, and now I’m on to the next piece.

New work in progress.

We Have Read This Story Before

My great-grandmother, whom I was close with growing up, was born on a farm in Poland in 1904. When she was ten years old, she and her family became shrouded in the brutality of World War I. The farm they lived and worked on became the stage of the Eastern Front. As a child, she was an eyewitness to the horrors of The Great War. We heard snippets of what they had to do to survive, but it was difficult for her to talk about the war. It was as awful as you could imagine.

She left Poland with her own young family in 1934, just after the Nazis came to power and just before World War II. The rest of her life was lived in peace in Canada.

She died in 2000, at age 96. I always thought about the scope of her life, about the profound changes the world went through over the near-century she was here. And now I am left wondering how she would think of the current situation.

I collect these vintage and antique books that I use in my paintings. This particular piece has a Victorian-era philosophy text long side classic Penguin paperbacks.

The ideas and stories in these books are not old, useless and out of date. Instead, it would seem that everything old is new again and in the wrong way — as evidenced in yet another terrifying war in Eastern Europe.

We Have Read This Story Before / 16 x 12 inches / oil on canvas / 2021 / on the easel

True Story, A World on the Wane

The book paintings have titles built-in. That’s one of the best parts about painting them. Tell Me a True Story and A World on the Wane.

Tell Me a True Story / 24 x 30 inches / oil on canvas / 2022 / on the easel
Tell Me a True Story / 24 x 30 inches / oil on canvas / 2022

These two paintings are being installed on the gallery walls in Los Angeles today. The exhibition will run from February 26 to April 2, 2022.

My last exhibition in Los Angeles was exactly two years ago. So much has happened in these two years it’s almost hard to wrap one’s head around. I am left wondering what the next two years will bring.

A World on the Wane / 24 x 30 inches / oil on canvas / 2022 / on the easel
A World on the Wane / 24 x 30 inches / oil on canvas / 2022